We Listen To Keep: Field Recordings from various practices of a people, 2024//

 

Exhibit Curation for Sounds, 2024 //

Repurposing unpurposeness of tambay (Party Studies Vol.2), 2024 //

 

Muse(ing) the Archive, Archival/ Exhibiting Turn, 2023//

 

Jeepney through the (y)ears [listening essay], 2023

      Full feature here

On Understanding Sound Practice in the Philippines, 2021//

Jose Maceda Exhibit Series: A Curator's Reflection, 2020//

 

Artchiving: Protecting and Safeguarding the Jose Maceda Collection, 2020//

Contracting Genealogy: Jose Maceda and sound practices in Manila, 2019//

Porous, Nodal, Mobile: Ecology of Sound Practices in Manila, 2019//

Genealogy of Sound Practices in Manila, 2018//

Conversations After Maceda, 2017//

Listening to sound practices in Manila, within the region: sources, intersections, tendencies, 2017//

Continuing Hear/Here, Sound Art in Hong Kong, 2016//

From Hear/Here, Sound Art in Manila, 2016//

Pagninilay sa Site Specificity (Kamâ sa Lugar) para sa Kontemporaryong Sining, 2016//

“(a) History of and (some) Trends in Contemporary Art in the Philippines” ASEAN Contemporary Art Project hosted by Silpakorn University, Bangkok, Thailand, 2014 //

“Trailing Survey: A Survey of New Media Art Practice in the Philippines” Research grant from The Japan Foundation Manila, 2013 //

“Rhizoming: Producing curatorial projects in Southeast Asian Cities.” Southeast Asian Art Exchange by New Zero Art Space in partnership with Nippon International Performance Art Festival and Open Society Foundation, Myanmar, 2012 //

“Art projects and artist initiatives as alternative platform for young Filipino global artists in the Philippines” Social Theory, Politics and Arts Conference, Birkbeck College, London, 2009 //